Delay Time CC #2
0-127
Maximum Delay Time CC #3
0 Minimum delay time allowed by the engine (~10 ms)
63 Approximately 1.3 seconds
127 2.6 seconds
Feedback CC #5
0-‐127
Wet/Dry Mix CC #6
0-‐127
Modulation Depth CC #7
0-‐127
Modulation Rate CC #8
0-‐127
Intensity (Assignable) CC #9
0-‐127
Output Level CC #10
0-‐127
0 -‐∞dB
(Output
is
silent)
52 0
dB
127 +8
dB
Diffusion 11 0-‐127
0 No
diffusion
1 Min
diffusion
127 Max
diffusion
Note Turning
on
or
off
will
briefly
mute
delay
line
Distortion 12 0-‐127
0 No
distortion
127 Max
distoriton
High
Pass
Filter 13 0-‐127
0 No
filtering
16 120
Hz
32 170
Hz
48 250
Hz
64 360
Hz
80 515
Hz
96 740
Hz
112 1070
Hz
127 1500
Hz
Low
Pass
Filter 14 0-‐127
0 No
filtering
16 11000
Hz
32 7500
Hz
48 5100
Hz
64 3500
Hz
80 2400
Hz
96 1650
Hz
112 900
Hz
127 400
Hz
Sample
Rate
Reduction 15 0-‐127
0 No
sample
rate
reduction
1 12000
Hz
16 8000
Hz
32 6000
Hz
48 4400
Hz
64 3200
Hz
80 2300
Hz
Controls
multiple
parameters
(different
for
each
effect
engine)
Controls
modulation
speed
or
tape
wow
and
flutter
rate
Sets
the
master
output
volume
for
wet
and
dry
signals
Sets
the
intensity
of
the
distortion
(character
based
on
engine)
Controls
the
amount
of
diffusion
or
smearing
Sets
cutoff
frequency
(Hz)
of
low
pass
filter
Sets
cutoff
frequency
(Hz)
of
high
pass
filter
Reduces
the
sample
rate
(Hz),
creating
aliasing
artifacts
Parameter CC# Range Value Description
96 1500
Hz
112 800
Hz
127 200
Hz
Sweep
Filter
Frequency 16 0-‐127
0 55
Hz
16 100
Hz
32 170
Hz
48 300
Hz
64 500
Hz
80 900
Hz
96 1600
Hz
112 2800
Hz
127 4700
Hz
Sweep
Filter
Q 17 0-‐127
0 No
resonance
127 Max
resonance
Sweep
Filter
Depth 18 0-‐127
0 No
sweep
-‐
fixed
frequency
42 From
1/2
to
2
times
the
center
frequency
63 From
1/3
to
3
times
the
center
frequency
85 From
1/4
to
4
times
the
center
frequency
127 From
1/8
to
8
times
the
center
frequency
Sweep
Filter
Mix 19 0-‐127
(Only
applies
to
Tap
1) 0 Sweep
filter
disabled
63 50/50
mix
127 100%
mix
Wow
and
Flutter
Depth 20 0-‐127
0 No
wow
or
flutter
127 Maximum
wow
and
flutter
Wow
and
Flutter
Rate 21 0-‐127
0 Very
slow
(lowest
tape
speed)
63 "Vintage"
tape
speed
(based
on
Echoplex)
127 Fast
tape
speed
Wow
Modulation
Noise 22 0-‐127
0 "New"
tape
20 "Old"
tape
40 "Warped"
tape
-‐
extremely
old
tape
>50 Turns
into
noise
and
distortion
Tremolo
Depth
(Stereo) 23 0-‐127
0 No
tremolo
63 Max
tremolo
(sine
LFO)
127 Doubled
tremolo
(twice
the
speed,
rectified
sine
LFO)
Pitch
Shift
Control 24 0-‐125
(Refer
to
Pitch
Shift
Table
at
end
of
this
document)
Tap
1
Level 25 0-‐127
0 Silent
16 -‐12
dB
31 -‐6
dB
Sets
rate
of
wow
and
flutter
Sets
the
depth
of
wow
and
flutter
(not
the
same
as
modulation)
Sets
the
mix
(from
0
to
100%)
of
the
sweep
filter
Sets
the
frequency
range
of
the
sweep
filter
Tape
gets
"older"
as
this
parameter
is
turned
up
Sets
amount
of
tremolo
(amplitude
modulation)
Sets
the
Q
(resonance)
of
the
sweep
filter
Sets
the
center
frequency
(Hz)
of
the
sweep
filter
Only
valid
for
Shifter,
Reverse,
Helix,
and
Double
Helix
Engines
Output
level
of
tap
1
(usually
on
Output
1)
Parameter CC# Range Value Description
45 -‐3
dB
63 0
dB
127 +6
dB
Tap
1
Pan 26 0-‐127
0 100%
Left
(Output
1)
63 Centered
(Both
Outputs)
127 100%
Right
(Output
2)
Tap
2
Level 27 0-‐127
0 Silent
16 -‐12
dB
31 -‐6
dB
45 -‐3
dB
63 0
dB
127 +6
dB
Tap
2
Pan 28 0-‐127
0 100%
Left
(Output
1)
63 Centered
(Both
Outputs)
127 100%
Right
(Output
2)
Tap
2
Delay
Time 29 0-‐127
0 Min
delay
(useful
for
unison/detune/doubling
of
input)
31-‐32 1/4
of
delay
time
(16th
note)
42-‐43 1/3
of
delay
time
(triplet)
63-‐64 1/2
of
delay
time
(8th
note)
85 2/3
of
delay
time
(swung
8th
note)
95-‐96 3/4
of
delay
time
(dotted
8th
note)
127 Same
delay
time
as
tap
1
Input
Low
Pass
Filter 30 0-‐127
0 No
filtering
16 15000
Hz
32 10000
Hz
48 7500
Hz
64 5500
Hz
(characteristic
of
vintage
Memory
Man)
80 4000
Hz
96 3000
Hz
112 2000
Hz
127 1500
Hz
Feedback
Maximum 31 0-‐3
0 1.00x
(No
self-‐oscillation
even
at
max
Feedback)
1 1.25x
(Self-‐oscillation
may
occur)
2 1.50x
(Self-‐oscillation
may
occur)
3 2.00x
(Self-‐oscillation
may
occur)
LFO
Lock
to
Delay
Time 32 0-‐1
0 LFO
will
run
at
its
own
rate
1 LFO
locks
to
delay
time
with
optional
engine
subdivision
Invert
Left
Wet
Phase 33 0-‐1
0 Output
1
wet
in-‐phase
with
dry
signal
1 Output
1
wet
out-‐of-‐phase
with
dry
signal
Invert
Right
Wet
Phase 34 0-‐1
Inverts
phase
of
wet
(delayed)
signal
on
Output
1
Syncronizes
LFO
(mod,
filter,
tremolo)
to
delay
time
Multiplier
to
scale
maximum
feedback
amount
Input
low
pass
filter
applied
to
both
wet
and
dry
signals
Tap
2
time
as
a
percentage
of
the
main
delay
time
Stereo
pan
of
tap
2
Output
level
of
tap
2
(usually
on
Output
2)
Stereo
pan
of
tap
1
Inverts
phase
of
wet
(delayed)
signal
on
Output
2
Parameter CC# Range Value Description
0 Output
2
wet
in-‐phase
with
dry
signal
1 Output
2
wet
out-‐of-‐phase
with
dry
signal
I/O
Routing
Option 35 0-‐15
0 Automatically
detect
based
on
plug
configuration
1 Mono
In
-‐
Mono/Stereo
Out,
Hardware
Bypass
2 Mono
In
-‐
Mono
Out,
Output
1
Wet,
Output
2
Dry
3 Mono
In
-‐
Stereo
Out,
Soft
Bypass
4 Stereo
In
-‐
Stereo
Out
5 Feedback
Loop
Insert
(Send
Output
2,
Return
Input
2)
6 External
Loop
Pre-‐Delay
(Send
Output
2,
Return
Input
2)
Multi-‐Feedback
Mode 36 0-‐3
0 Use
Effect
Default
1 Tap
1
is
the
only
Feedback
Source
(Feedback
=
1.0)
2 Tap
2
is
the
only
Feedback
Source
(Feedback
=
1.0)
3 Feedback
from
Both
Tap
1
and
Tap
2
(Each
=
0.5)
Merge
Stereo
Outputs 37 0-‐1
0 Normal
Stereo
1 Merged
L+R
on
both
Outputs
Bypass 38 0-‐127
<=63 Bypasses
the
delay
effect
>=64 Enables
the
delay
effect
Intensity
Knob
Remap 39 0-‐14
0 Factory
Default
1 Output
Volume
2 Diffusion
3 Distortion
4 Low
Cut
Filter
5 High
Cut
Filter
6 Sample
Rate
Reduction
7 Sweep
Filter
Frequency
8 Sweep
Filter
Q
9 Sweep
Filter
Depth
10 Sweep
Filter
Mix
11 Wow
and
Flutter
Noise
12 Tremolo
Depth
13 Pitch
Control
14 Delay
Effect
Send
Level
Mod
Knob
Remap 40 0-‐3
0 Time
Modulation
1 Tape
Modulation
(Wow
and
Flutter)
2 Filter
Modulation
(Sweeper
Filter)
3 Tremolo
Depth
Rate
Knob
Remap 41 0-‐1
0 Modulation
Rate
1 Tape
Speed
(Wow
and
Flutter
Rate)
Tempo
Division 42 0-‐14
0 4
:
Whole
Notes
1 3
:
Dotted
Half
Notes
Mix
L
and
R
outputs
down
to
Mono
Turns
the
delay
effect
on
or
off
Allows
compound
(dual)
delays
using
multiple
taps
Configures
the
signal
routing
of
audio
inputs
and
outputs
Selects
alternate
parameter
to
be
controlled
by
Intensity
Knob
Selects
alternate
parameter
to
be
controlled
by
Mod
Knob
Selects
alternate
parameter
to
be
controlled
by
Rate
Knob
Ratio
to
scale
tempo
when
setting
delay
time
Parameter CC# Range Value Description
2 2
:
Half
Notes
3 1.618
:
Golden
Ratio
(Φ)
4 3/2
:
Dotted
Quarters
5 4/3
:
Swing
Quarters
6 1
:
Quarter
Notes
7 3/4
:
Dotted
8ths
8 2/3
:
Swing
8ths
9 0.618
:
Inverse
Golden
Ratio
(1/Φ)
10 1/2
:
Straight
8ths
11 1/3
:
Triplets
12 1/4
:
16th
Notes
13 1/6
:
Sextuplets
14 1/8
:
32nd
Notes
Octave
Shift
Control 50 0-‐125
0 Octave
Down
63 Unison
127 Octave
Up
Delay
Send
Control 51 0-‐127
0 No
input
sent
to
the
delay
127 Full
input
sent
to
the
delay
(normal
operation)
Preset
Down 80 0-‐127
Any Decrements
preset
(wraps
around)
Preset
Up 82 0-‐127
Any Increments
preset
(wraps
around)
Remote
Tap 93 0-‐127
Any Tap
input
Infinite
Hold 97 0-‐127
<=63 Deactivates
hold
mode
>=64 Activates
hold
mode
Bypass 101 0-‐127
<=63 Bypasses
the
delay
effect
>=64 Enables
the
delay
effect
Remote
Bypass 102 0-‐127
Any Toggles
every
time,
regardless
of
value
Recall
Preset
Bypassed 103 0-‐127
Any Value
dictates
preset
number
Recall
Preset
Engaged 104 0-‐127
Any Value
dictates
preset
number
Pitch
Shift
Table 24 0-‐125
0 31
semitones
(+2
octaves
+perfect
5th)
1 30
semitones
(+2
octaves
+diminished
5th)
2 29
semitones
(+2
octaves
+perfect
4th)
3 28
semitones
(+2
octaves
+major
3rd)
4 27
semitones
(+2
octaves
+minor
3rd)
5 26
semitones
(+2
octaves
+major
2nd)
6 25
semitones
(+2
octaves
+minor
2nd)
7 24
semitones
(+2
octaves)
8 23
semitones
(+octave
+major
7th)
Selects
next
preset
(limited
to
presets
1-‐4
or
*extended
1-‐8)
Only
for
Shifter,
Reverse,
Helix,
and
Double
Helix
Engines
Controls
the
amount
of
input
signal
going
to
the
delay
effect
Sets
the
musical
interval
for
the
shift,
with
optional
reverse
Turns
the
delay
effect
on
or
off
Selects
previous
preset
(limited
to
presets
1-‐4
or
*extended
1-‐8)
Activates
hold
mode,
just
like
holding
the
tap
footswitch
Acts
as
a
virtual
tap
input,
just
like
pressing
the
tap
footswitch
Toggle
between
bypassed
and
engaged
state
Recall
any
preset
in
its
bypassed
state
Recall
any
preset
in
its
engaged
state
Parameter CC# Range Value Description
9 22
semitones
(+octave
+minor
7th)
10 21
semitones
(+octave
+major
6th)
11 20
semitones
(+octave
+augmented
5th)
12 19
semitones
(+octave
+perfect
5th)
13 18
semitones
(+octave
+diminished
5th)
14 17
semitones
(+octave
+perfect
4th)
15 16
semitones
(+octave
+major
3rd)
16 15
semitones
(+octave
+minor
3rd)
17 14
semitones
(+octave
+major
2nd)
18 13
semitones
(+octave
+minor
2nd)
19 12
semitones
(+octave)
20 11
semitones
(+major
7th)
21 10
semitones
(+minor
7th)
22 9
semitones
(+major
6th)
23 8
semitones
(+augmented
5th)
24 7
semitones
(+perfect
5th)
25 6
semitones
(+diminished
5th)
26 5
semitones
(+perfect
4th)
27 4
semitones
(+major
3rd)
28 3
semitones
(minor
3rd)
29 2
semitones
(+major
2nd)
30 1
semitones
(+minor
2nd)
31 0
semitones
(unison)
32 -‐1
semitones
(-‐minor
2nd)
33 -‐2
semitones
(-‐major
2nd)
34 -‐3
semitones
(-‐minor
3rd)
35 -‐4
semitones
(-‐major
3rd)
36 -‐5
semitones
(-‐perfect
4th)
37 -‐6
semitones
(-‐diminished
5th)
38 -‐7
semitones
(-‐perfect
5th)
39 -‐8
semitones
(-‐augmented
5th)
40 -‐9
semitones
(-‐major
6th)
41 -‐10
semitones
(-‐minor
7th)
42 -‐11
semitones
(-‐major
7th)
43 -‐12
semitones
(-‐octave)
44 -‐13
semitones
(-‐octave
-‐minor
2nd)
45 -‐14
semitones
(-‐octave
-‐major
2nd)
46 -‐15
semitones
(-‐octave
-‐minor
3rd)
47 -‐16
semitones
(-‐octave
-‐major
3rd)
48 -‐17
semitones
(-‐octave
-‐perfect
4th)
49 -‐18
semitones
(-‐octave
-‐diminished
5th)
50 -‐19
semitones
(-‐octave
-‐perfect
5th)
51 -‐20
semitones
(-‐octave
-‐augmented
5th)
52 -‐21
semitones
(-‐octave
-‐major
6th)
53 -‐22
semitones
(-‐octave
-‐minor
7th)
54 -‐23
semitones
(-‐octave
-‐major
7th)
55 -‐24
semitones
(-‐2
octaves)
56 -‐25
semitones
(-‐2
octaves
-‐minor
2nd)
Parameter CC# Range Value Description
57 -‐26
semitones
(-‐2
octaves
-‐major
2nd)
58 -‐27
semitones
(-‐2
octaves
-‐minor
3rd)
59 -‐28
semitones
(-‐2
octaves
-‐major
3rd)
60 -‐29
semitones
(-‐2
octaves
-‐perfect
4th)
61 -‐30
semitones
(-‐2
octaves
-‐diminished
5th)
62 -‐31
semitones
(-‐2
octaves
-‐perfect
5th)
63 -‐31
semitones
(Reverse
-‐2
octaves
-‐perfect
5th)
64 -‐30
semitones
(Reverse
-‐2
octaves
-‐diminished
5th)
65 -‐29
semitones
(Reverse
-‐2
octaves
-‐perfect
4th)
66 -‐28
semitones
(Reverse
-‐2
octaves
-‐major
3rd)
67 -‐27
semitones
(Reverse
-‐2
octaves
-‐minor
3rd)
68 -‐26
semitones
(Reverse
-‐2
octaves
-‐major
2nd)
69 -‐25
semitones
(Reverse
-‐2
octaves
-‐minor
2nd)
70 -‐24
semitones
(Reverse
-‐2
octaves)
71 -‐23
semitones
(Reverse
-‐octave
-‐major
7th)
72 -‐22
semitones
(Reverse
-‐octave
-‐minor
7th)
73 -‐21
semitones
(Reverse
-‐octave
-‐major
6th)
74 -‐20
semitones
(Reverse
-‐octave
-‐augmented
5th)
75 -‐19
semitones
(Reverse
-‐octave
-‐perfect
5th)
76 -‐18
semitones
(Reverse
-‐octave
-‐diminished
5th)
77 -‐17
semitones
(Reverse
-‐octave
-‐perfect
4th)
78 -‐16
semitones
(Reverse
-‐octave
-‐major
3rd)
79 -‐15
semitones
(Reverse
-‐octave
-‐minor
3rd)
80 -‐14
semitones
(Reverse
-‐octave
-‐major
2nd)
81 -‐13
semitones
(Reverse
-‐octave
-‐minor
2nd)
82 -‐12
semitones
(Reverse
-‐octave)
83 -‐11
semitones
(Reverse
-‐major
7th)
84 -‐10
semitones
(Reverse
-‐minor
7th)
85 -‐9
semitones
(Reverse
-‐major
6th)
86 -‐8
semitones
(Reverse
-‐augmented
5th)
87 -‐7
semitones
(Reverse
-‐perfect
5th)
88 -‐6
semitones
(Reverse
-‐diminished
5th)
89 -‐5
semitones
(Reverse
-‐perfect
4th)
90 -‐4
semitones
(Reverse
-‐major
3rd)
91 -‐3
semitones
(Reverse
-‐minor
3rd)
92 -‐2
semitones
(Reverse
-‐major
2nd)
93 -‐1
semitones
(Reverse
-‐minor
2nd)
94 0
semitones
(Reverse
unison)
95 1
semitones
(Reverse
+minor
2nd)
96 2
semitones
(Reverse
+major
2nd)
97 3
semitones
(Reverse
+minor
3rd)
98 4
semitones
(Reverse
+major
3rd)
99 5
semitones
(Reverse
+perfect
4th)
100 6
semitones
(Reverse
+diminished
5th)
101 7
semitones
(Reverse
+perfect
5th)
102 8
semitones
(Reverse
+augmented
5th)
103 9
semitones
(Reverse
+major
6th)
104 10
semitones
(Reverse
+minor
7th)
Parameter CC# Range Value Description
105 11
semitones
(Reverse
+major
7th)
106 12
semitones
(Reverse
+octave)
107 13
semitones
(Reverse
+octave
+minor
2nd)
108 14
semitones
(Reverse
+octave
+major
2nd)
109 15
semitones
(Reverse
+octave
+minor
3rd)
110 16
semitones
(Reverse
+octave
+major
3rd)
111 17
semitones
(Reverse
+octave
+perfect
4th)
112 18
semitones
(Reverse
+octave
+diminished
5th)
113 19
semitones
(Reverse
+octave
+perfect
5th)
114 20
semitones
(Reverse
+octave
+augmented
5th)
115 21
semitones
(Reverse
+octave
+major
6th)
116 22
semitones
(Reverse
+octave
+minor
7th)
117 23
semitones
(Reverse
+octave
+major
7th)
118 24
semitones
(Reverse
+2
octaves)
119 25
semitones
(Reverse
+2
octaves
+minor
2nd)
120 26
semitones
(Reverse
+2
octaves
+major
2nd)
121 27
semitones
(Reverse
+2
octaves
+minor
3rd)
122 28
semitones
(Reverse
+2
octaves
+major
3rd)
123 29
semitones
(Reverse
+2
octaves
+perfect
4th)
124 30
semitones
(Reverse
+2
octaves
+diminished
5th)
125 31
semitones
(Reverse
+2
octaves
+perfect
5th)
126 Reserved
127 Reserved
