Delay Time CC #2
0-127
Maximum Delay Time CC #3
0-127
Feedback CC #5
0-127
Wet/Dry Mix CC #6
0-127
Modulation Depth CC #7
0-127
Modulation Rate CC #8
0-127
Intensity (Assignable) CC #9
0-127
Output Level CC #10
0-127 (0 - +8dB)
Diffusion CC #11
0-127
Distortion CC #12
0-127
High Pass Filter CC #13
0 No filtering
16 120 Hz
32 170 Hz
48 250 Hz
64 360 Hz
80 515 Hz
96 740 Hz
112 1070 Hz
127 1500 Hz
Low Pass Filter CC #14
0 No filtering
16 11000 Hz
32 7500 Hz
48 5100 Hz
64 3500 Hz
80 2400 Hz
96 1650 Hz
112 900 Hz
127 400 Hz
Sample Rate Reduction CC #15
0 No sample rate reduction
1 12000 Hz
16 8000 Hz
32 6000 Hz
48 4400 Hz
64 3200 Hz
80 2300 Hz
96 1500 Hz
112 800 Hz
127 200 Hz
Sweep Filter Frequency CC #16
0 55 Hz
16 100 Hz
32 170 Hz
48 300 Hz
64 500 Hz
80 900 Hz
96 1600 Hz
112 2800 Hz
127 4700 Hz
Sweep Filter Q CC #17
0 No resonance
127 Max resonance
Sweep Filter Depth CC #18
0 No sweep - fixed frequency
42 From 1/2 to 2 times the center frequency
63 From 1/3 to 3 times the center frequency
85 From 1/4 to 4 times the center frequency
127 From 1/8 to 8 times the center frequency
Sweep Filter Mix CC #19
0-127
Wow and Flutter Depth CC #20
0-127
Wow and Flutter Rate CC #21
0-127
Wow Modulation Noise CC #22
0 "New" tape
20 "Old" tape
40 "Warped" tape - extremely old tape
>50 Turns into noise and distortion
Tremolo Depth (Stereo) CC #23
0-127
0 No tremolo
63 Max tremolo (sine LFO)
127 Doubled tremolo (twice the speed, rectified sine LFO)
Pitch Shift Control CC #24
0-125
Tap 1 Level CC #25
0 Silent
16 -12dB
31 -6dB
45 -3dB
63 0dB
127 +6dB
Tap 1 Pan CC #26
0-127
0 100% Left
63 Centered
127 100% Right
Tap 2 Level CC #27
0 Silent
16 -12dB
31 -6dB
45 -3dB
63 0dB
127 +6dB
Tap 2 Pan CC #28
0-127
0 100% Left
63 Centered
127 100% Right
Tap 2 Delay Time CC #29
0 Min delay (useful for unison/detune/doubling of input)
31-32 1/4 of delay time (16th note)
42-43 1/3 of delay time (triplet)
63-64 1/2 of delay time (8th note)
85 2/3 of delay time (swung 8th note)
95-96 3/4 of delay time (dotted 8th note)
127 Same delay time as tap 1
Input Low Pass Filter CC #30
0 No filtering
16 15000 Hz
32 10000 Hz
48 7500 Hz
64 5500 Hz (characteristic of vintage Memory Man)
80 4000 Hz
96 3000 Hz
112 2000 Hz
127 1500 Hz
Feedback Maximum CC #31
0 1.00x (No self-oscillation even at max Feedback)
1 1.25x (Self-oscillation may occur)
2 1.50x (Self-oscillation may occur)
3 2.00x (Self-oscillation may occur)
LFO Lock to Delay Time CC #32
0 LFO will run at its own rate
1 LFO locks to delay time with optional engine subdivision
Invert Left Wet Phase CC #33
0 Output 1 wet in-phase with dry signal
1 Output 1 wet out-of-phase with dry signal
Invert Right Wet Phase CC #34
0 Output 2 wet in-phase with dry signal
1 Output 2 wet out-of-phase with dry signal
I/O Routing Option CC #35
0 Automatically detect based on plug configuration
1 Mono In - Mono/Stereo Out, Hardware Bypass
2 Mono In - Mono Out, Output 1 Wet, Output 2 Dry
3 Mono In - Stereo Out, Soft Bypass
4 Stereo In - Stereo Out
5 Feedback Loop Insert (Send Output 2, Return Input 2)
6 External Loop Pre-Delay (Send Output 2, Return Input 2)
Multi-Feedback Mode CC #36
0 Use Effect Default
1 Tap 1 is the only Feedback Source (Feedback = 1.0)
2 Tap 2 is the only Feedback Source (Feedback = 1.0)
3 Feedback from Both Tap 1 and Tap 2 (Each = 0.5)
Merge Stereo Outputs CC #37
0 Normal Stereo
1 Merged L+R on both Outputs
Bypass CC #38
<=63 Bypasses the delay effect
>=64 Enables the delay effect
Intensity Knob Remap CC #39
0 Factory Default
1 Output Volume
2 Diffusion
3 Distortion
4 Low Cut Filter
5 High Cut Filter
6 Sample Rate Reduction
7 Sweep Filter Frequency
8 Sweep Filter Q
9 Sweep Filter Depth
10 Sweep Filter Mix
11 Wow and Flutter Noise
12 Tremolo Depth
13 Pitch Control
14 Delay Effect Send Level
Mod Knob Remap CC #40
0 Time Modulation
1 Tape Modulation (Wow and Flutter)
2 Filter Modulation (Sweeper Filter)
3 Tremolo Depth
Rate Knob Remap CC #41
0 Modulation Rate
1 Tape Speed (Wow and Flutter Rate)
Tempo Division CC #42
0 4 : Whole Notes
1 3 : Dotted Half Notes
2 2 : Half Notes
3 1.618 : Golden Ratio (Φ)
4 3/2 : Dotted Quarters
5 4/3 : Swing Quarters
6 1 : Quarter Notes
7 3/4 : Dotted 8ths
8 2/3 : Swing 8ths
9 0.618 : Inverse Golden Ratio (1/Φ)
10 1/2 : Straight 8ths
11 1/3 : Triplets
12 1/4 : 16th Notes
13 1/6 : Sextuplets
14 1/8 : 32nd Notes
Octave Shift Control CC #50
0 Octave Down
63 Unison
127 Octave Up
Delay Send Control CC #51
0 No input sent to the delay
127 Full input sent to the delay (normal operation)
Preset Down CC #80
Any Decrements preset (wraps around)
Preset Up CC #82
Any Increments preset (wraps around)
Remote Tap CC #93
Any Tap input
Infinite Hold CC #97
<=63 Deactivates hold mode
>=64 Activates hold mode
Bypass CC #101
<=63 Bypasses the delay effect
>=64 Enables the delay effect
Remote Bypass CC #102
Any Toggles every time, regardless of value
Recall Preset Bypassed CC #103
Any Value dictates preset number
Recall Preset Engaged CC #104
Any Value dictates preset number
Pitch Shift Table CC #24
0 31 semitones (+2 octaves +perfect 5th)
1 30 semitones (+2 octaves +diminished 5th)
2 29 semitones (+2 octaves +perfect 4th)
3 28 semitones (+2 octaves +major 3rd)
4 27 semitones (+2 octaves +minor 3rd)
5 26 semitones (+2 octaves +major 2nd)
6 25 semitones (+2 octaves +minor 2nd)
7 24 semitones (+2 octaves)
8 23 semitones (+octave +major 7th)
9 22 semitones (+octave +minor 7th)
10 21 semitones (+octave +major 6th)
11 20 semitones (+octave +augmented 5th)
12 19 semitones (+octave +perfect 5th)
13 18 semitones (+octave +diminished 5th)
14 17 semitones (+octave +perfect 4th)
15 16 semitones (+octave +major 3rd)
16 15 semitones (+octave +minor 3rd)
17 14 semitones (+octave +major 2nd)
18 13 semitones (+octave +minor 2nd)
19 12 semitones (+octave)
20 11 semitones (+major 7th)
21 10 semitones (+minor 7th)
22 9 semitones (+major 6th)
23 8 semitones (+augmented 5th)
24 7 semitones (+perfect 5th)
25 6 semitones (+diminished 5th)
26 5 semitones (+perfect 4th)
27 4 semitones (+major 3rd)
28 3 semitones (minor 3rd)
29 2 semitones (+major 2nd)
30 1 semitones (+minor 2nd)
31 0 semitones (unison)
32 -1 semitones (-minor 2nd)
33 -2 semitones (-major 2nd)
34 -3 semitones (-minor 3rd)
35 -4 semitones (-major 3rd)
36 -5 semitones (-perfect 4th)
37 -6 semitones (-diminished 5th)
38 -7 semitones (-perfect 5th)
39 -8 semitones (-augmented 5th)
40 -9 semitones (-major 6th)
41 -10 semitones (-minor 7th)
42 -11 semitones (-major 7th)
43 -12 semitones (-octave)
44 -13 semitones (-octave -minor 2nd)
45 -14 semitones (-octave -major 2nd)
46 -15 semitones (-octave -minor 3rd)
47 -16 semitones (-octave -major 3rd)
48 -17 semitones (-octave -perfect 4th)
49 -18 semitones (-octave -diminished 5th)
50 -19 semitones (-octave -perfect 5th)
51 -20 semitones (-octave -augmented 5th)
52 -21 semitones (-octave -major 6th)
53 -22 semitones (-octave -minor 7th)
54 -23 semitones (-octave -major 7th)
55 -24 semitones (-2 octaves)
56 -25 semitones (-2 octaves -minor 2nd)
57 -26 semitones (-2 octaves -major 2nd)
58 -27 semitones (-2 octaves -minor 3rd)
59 -28 semitones (-2 octaves -major 3rd)
60 -29 semitones (-2 octaves -perfect 4th)
61 -30 semitones (-2 octaves -diminished 5th)
62 -31 semitones (-2 octaves -perfect 5th)
63 -31 semitones (Reverse -2 octaves -perfect 5th)
64 -30 semitones (Reverse -2 octaves -diminished 5th)
65 -29 semitones (Reverse -2 octaves -perfect 4th)
66 -28 semitones (Reverse -2 octaves -major 3rd)
67 -27 semitones (Reverse -2 octaves -minor 3rd)
68 -26 semitones (Reverse -2 octaves -major 2nd)
69 -25 semitones (Reverse -2 octaves -minor 2nd)
70 -24 semitones (Reverse -2 octaves)
71 -23 semitones (Reverse -octave -major 7th)
72 -22 semitones (Reverse -octave -minor 7th)
73 -21 semitones (Reverse -octave -major 6th)
74 -20 semitones (Reverse -octave -augmented 5th)
75 -19 semitones (Reverse -octave -perfect 5th)
76 -18 semitones (Reverse -octave -diminished 5th)
77 -17 semitones (Reverse -octave -perfect 4th)
78 -16 semitones (Reverse -octave -major 3rd)
79 -15 semitones (Reverse -octave -minor 3rd)
80 -14 semitones (Reverse -octave -major 2nd)
81 -13 semitones (Reverse -octave -minor 2nd)
82 -12 semitones (Reverse -octave)
83 -11 semitones (Reverse -major 7th)
84 -10 semitones (Reverse -minor 7th)
85 -9 semitones (Reverse -major 6th)
86 -8 semitones (Reverse -augmented 5th)
87 -7 semitones (Reverse -perfect 5th)
88 -6 semitones (Reverse -diminished 5th)
89 -5 semitones (Reverse -perfect 4th)
90 -4 semitones (Reverse -major 3rd)
91 -3 semitones (Reverse -minor 3rd)
92 -2 semitones (Reverse -major 2nd)
93 -1 semitones (Reverse -minor 2nd)
94 0 semitones (Reverse unison)
95 1 semitones (Reverse +minor 2nd)
96 2 semitones (Reverse +major 2nd)
97 3 semitones (Reverse +minor 3rd)
98 4 semitones (Reverse +major 3rd)
99 5 semitones (Reverse +perfect 4th)
100 6 semitones (Reverse +diminished 5th)
101 7 semitones (Reverse +perfect 5th)
102 8 semitones (Reverse +augmented 5th)
103 9 semitones (Reverse +major 6th)
104 10 semitones (Reverse +minor 7th)
105 11 semitones (Reverse +major 7th)
106 12 semitones (Reverse +octave)
107 13 semitones (Reverse +octave +minor 2nd)
108 14 semitones (Reverse +octave +major 2nd)
109 15 semitones (Reverse +octave +minor 3rd)
110 16 semitones (Reverse +octave +major 3rd)
111 17 semitones (Reverse +octave +perfect 4th)
112 18 semitones (Reverse +octave +diminished 5th)
113 19 semitones (Reverse +octave +perfect 5th)
114 20 semitones (Reverse +octave +augmented 5th)
115 21 semitones (Reverse +octave +major 6th)
116 22 semitones (Reverse +octave +minor 7th)
117 23 semitones (Reverse +octave +major 7th)
118 24 semitones (Reverse +2 octaves)
119 25 semitones (Reverse +2 octaves +minor 2nd)
120 26 semitones (Reverse +2 octaves +major 2nd)
121 27 semitones (Reverse +2 octaves +minor 3rd)
122 28 semitones (Reverse +2 octaves +major 3rd)
123 29 semitones (Reverse +2 octaves +perfect 4th)
124 30 semitones (Reverse +2 octaves +diminished 5th)
125 31 semitones (Reverse +2 octaves +perfect 5th)
126 Reserved
127 Reserved